Professor Ferraro is an aficionado of the great American stuff--Emily Dickinson, Edward Hopper, the Marx Brothers, and Nina Simone--who writes on literature, film, and the performing arts. He is the author of Feeling Italian: The Art of Ethnicity in America (NYU, 2005; winner of a 2006 American Book Award), Ethnic Passages: Literary Immigrants in 20th-Century America (U Chicago, 1993), the editor of Catholic Lives, Contemporary America (Duke, 1997), and a contributor to The Columbia History of the American Novel, Scribner's Encyclopedia of American Cultural and Intellectual History, and The Oxford Encyclopedia of American Literature.  Contrary by temperament, at least as a scholar-critic, he is currently at work on a Marian Catholic pedagogy of the great American novel: a revisionist account of the interplay among violative self-making, transgressive sexuality and redemptive sacrifice, in an effort to recapture both the aesthetic wonder and social danger of the canonical warhorses (from Hawthorne's A Scarlet Letter and Melville's Billy Budd to Chopin, Fitzgerald, Hemingway, Faulkner, and Hurston) .  Of course his arguments don't always turn out as projected--witness the recent accounting of Willa Cather's The Professor's House, in which the resurgent discourse of sin gives Ferraro, like the title character, his comeuppance.